Site specific installation event 14th February 2009

This project is funded by the Communities First Trust Fund

The project, working with six young people from Aberystwyth will result in the production of a site specific installation to be viewed on 14th February 2009.

Blaengar is working with two associate students from Aberystwyth School of Art, Anna Evans a third year in Fine Art and Education. Anna has taken the lead in developing sound work for the project. 

The group received funding to visit the Liverpool Biennial as the basis for inspiration.

Far, far away


Funded by the Communities First Trust Fund



Far, far away is an art installation developed by Blaengar, an artist led organisation based in Aberystwyth. The project has been led by the artist Alice Briggs with Deborah Tagoe, Ainhoe Dafis, AnnCross and Freya Pryce, Year ten pupils from Penglais School. Working with the group is an associate art student from Aberystwyth Art School third year Fine Art and Education student Anna Evans. After an initial research trip to the Liverpool Biennial to experience site specific art, the group have met regularly in Penparcau and Ceredigion Museum over a three-month period. The group have secured the use of a disused shop belonging to Ceredigion County Council (28 Terrace Rd) in which to place their art work. The project has built up to a final event that will take place on February 14th.


The art-work takes as its starting point the fairy tales, mabinogi and other stories from childhood that are passed from generation to generation. The group took from the tales aspects that draw from their own experience, everyday lives and contemporary influences. They were drawn to particular tales with heroines from Grimm and Hans Christian Anderson; 'The Little Mermaid' 'Cinderella', 'Rapunzel', 'Beauty and the Beast' and 'Snow White' among others. Originally, fairy tales were written by women, and these now largely forgotten tales were largely more inventive, original and fantastical than that of their male counter-parts. The fairy tales are familiar to the group told as Disney animations as well as through books and bed-time reading. Elements of animation have been used in the installation, with a one minute animated story created as part of the project in workshops with Aberystwyth Arts Centre's current artist in residence Ralph Juergen Colman, an animator based in Bristol.


In the installation the tales and stories have been deliberately tampered with - there are references through sound to the beginnings of stories 'Once upon a time', 'There was once a country man', 'Once in summer-time the bear and the wolf', 'A man and his wife were once sitting', 'There was once a poor woman who had a son'. The ends of the stories are then handed out by the group on cards to individuals viewing the work 'And they are still living to this day', 'then in a rage he pulled at his left leg so hard with both hands that he tore himself in two', 'But the sparrow flew up and away', 'Then he knew how true his brother had been'. The middles of the stories and how the beginnings and ends fit together are left to the viewers imagination.


Everyday objects that evoke childhood memories and reference different stories have been used to create an installation that transforms the space into a magical and fantastical place of stories. Some objects - such as the hand singer sewing machines have been sourced from Ceredigion Museum, and are a reminder of the beginnings of women's industry past, and the developments up to the present. 


Transformation is a theme that runs strongly through Grimms Tales, an aspect the group portray -   as young heroines lead the audience around the space in traditional women's costume, with faces masked by the features of birds whose bodies have morphed into children. In the centre of the space, over the clattering sounds of the sewing machines and ghostly beginnings of tales sit two women, 'spinning a yarn' through needle and thread...... 

The Bird Characters

Parrot

Parrots are very intelligent creatures as well as being beautiful. They are very emotional, and can be both needy and independent. They are boisterous, playful, loving and also prone to fits and tantrums. Parrots can be very messy birds, and because of there powerful beaks, quite destructive. In Mayan culture, talking birds served as messengers.


Nightingale

Nightingales, so named because they sing frequently at night, as well as in the day. The song is loud, with an impressive range of whistles, trills and gurgles. The Nightingale appears in Greek Mythology in the story of Philomela and Procne. Early Greek sources have it that Procne was turned into a nightingale, singing a beautiful but sad song in remorse for the death of her son. 


Raven

In many Western traditions, ravens have long been considered to birds of ill omen, in part because of the negative symbolism of their all black plummage. In the British Isles, ravens were symbolic to the Celts. In Irish mythology the goddess Morrigan alighted on the herol Cu CChulainn's shoulder in the form of a raven after his death. In Welsh mythology there were associated with the Welsh god Bran the Blessed, whose name translates to "raven". According to the Mabinogion, Bran's head was buried in the White Hill of London to ward against invasion. 


Snowy Owl

Many children have grown up with nursery stories of wise old owls. The Owl is a strong symbol in myth and legend, From the ancient Greek legends to the wise owls in Wini the Pooh and The Owl and The Pussycat, we have all seen images in folk tales of owls as the quintessential bearers of knowledge and sagacity. Owls are also appear in legends such as that of King Arthur where Merlin always appears with an owl on his shoulder. 

In many cultures the owl represents widsom and knowledge because of their nocturnal vigilance is associated with that of the studious scholar or wise elder.


In Greek myth Athene the goddess of wisdom is represented as an owl, and was in an earlier incarnation, goddess of darkness. The owl -- whose modern scientific name Athene carries this heritage -- came to represent wisdom from its association with the dark The owl was also the guardian of the Acropolis, and the Roman statesman Pliny the Elder wrote that owls foretell only evil and are to be dreaded more than all other birds. 

Stork

Storks occur in the warmer regions of the world. They are mute birds, and therefore have no song or bird call. In Western culture the White Stork is a symbol of childbirth. This habit was derived from the once popular superstition that storks were the harbingers of happiness and prosperity, and possibly from the habit of some storks of nesting atop chimneys, down which the new baby could be imagined as entering the house. The image of a stork bearing an infant wrapped in a sling held in its beak is common in popular culture. 


Hummingbird

Hummingbirds can hover in mid-air by rapidly flapping their wings 15-80 times per second (depending on the species). They can fly backwards, and are the only group of birds able to do so. Their English name derives from the characteristic hum made by their wings. Aztecs wore hummingbird talsmans, the talismans being represnations as well as actual hummingbird fetishes from from parts of real hummingbirds: emblematic for their vigor, energy and propensity to do work along with their sharp beaks that mimic instruments of weaponry, bloodletting, penetration and intimacy.